Six years have passed since the release of Radiohead’s ultimate disco, ‘A moon shaped pool’, all signaled by the band’s admirers who hope to be relevant: the singer’s singer, Thom Yorke, and guitarist-teclist Jonny Greenwood, apunta a new artifact, The Smile, that in which llevamos de enero has published a par of songs. In the truck haci su primer album, this group will be shown worldwide this week end of week through three consecutive ‘streaming’ concerts, each a thought for a distinct hourly schedule.
The Smile is the union of York and Greenwood with the battery Tom Skinner, Titles of the Sons of Kemet jazz vanguard group, associated with artists such as Matthew Herbert, Floating Points and Mulatu Astatke. From this association, to which is summed up the producer, habitual of Radiohead, Nigel Godrich, is a musical proposition that now has to be composed. We can talk about dudas is Saturday accompanied by European timetable concierge (21.00 hours), from its location in the magazine saline londinense Magazine, it will transmit through the Driift platform, with access to a payment of 17 books (20.44 euros).
Mathematical post-punk
His first song, ‘You will never work in television again’, launched on the 5th of January, presents a powerful guitar complexion that, summed up in a York in vocal mode aired, ends with a post-punk of mathematical and apocalyptic lyrics. The text escapes flases of “Chicas cortándose las muñecas & rdquor; y “algún ‘troll’ gánster promoting the moon & rdquor ;, acaso a malvada allusion to the music industry. It follows, these jueves, ‘The smoke’, more introspective piece, but equally physical, sustained in a narcotic line of water bathed in a charged atmosphere, and where Yorke appears to be offering a wide range of shoes and is offering “a second opportunity & rdquor ;.
The creation of The Smile will be produced during the 2020 finale, as a live stream for creating music at a time when the screenplays are closed. The chosen number is a text by an English poet Ted Hughes (1930-98) and, following Yorke’s speeches to the public during his first live appearance, he passed Mayo in the ‘show’ secret ‘Live at Worthy Farm’ (excerpted by the Glastonbury festival and transmitted by ‘streaming’), no alude a “la sonrisa typo ‘ahhh’, sino más bien a la del typo que te miente todos los días & rdquor ;.
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Aquella vieja electricidad
In this preliminary act, the band performs the two songs now alumbradas and other five new ones, and a version of ‘Skirting on the surface’, theme with 13 years of history, created in the stage of Yorke with the supergroup Atoms for Peace, which Radiohead read and interpreted (without hesitation) in 2012. Although fans of the group will be shocked at a time when new material is being released, The Smile can reserve strong emotions: gotean the tentative comparisons with past episodes of Radiohead, as the most invasive moments of the album ‘Hail to the thief’ (2003) and the electric capacities of ‘The bends’ (1995).
Reference-www.elperiodico.com