I see to Vincent Romero, who was a great TVE ‘routier’, a special envoy in a thousand conflicts, a reporter in dozens of wars, inaugurating a section entitled ‘Secret Chronicles’ in ‘Fourth Millennium’. has realized Iker Jimenez about what Rosemary is a colossal living archive –with images included that he recorded halfway around the world, and with his son Miguell– of events that we should know about.
He spoke of the massacres in Sierra Leone, the genocide in Rwanda, and the ravages of Ebola, another deadly virus that is no longer talked about because it does not affect the first world. He spoke of RUF guerrilla criminals amputating girls’ hands at the wrists, girls then collected in the mutilated camp at Murray Town. He recommended that we read ‘The leopard men are becoming extinct’ by the aid worker and profound analyst of Africa Chema Caballero. And in the end he warned: «Now the TV only talks about Ukraine. But there are other wars that television systematically ignores. The one from Tigray (Ethiopia), the one from Yemen…».
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oh! support that Iker inaugurate in your program a rest area without flying saucers or ufologists, and have created a bubble that puts our feet on the ground, on this planet where serious things are happening that television does not show us. We have reporters who have spent half their lives being our eyes, and we have forgotten to put on our glasses to see them. Those who manage the TV business assure that these chronicles create rejection in the audience. That is why they prefer to follow the evolution of the fracture of the tibia and fibula of Bethlehem Esteban, to whom I wish a speedy recovery because she is not to blame for that television evasion to which I refer. What they should do is a weekly program in which each television reporter was a war. Rosemary perhaps it would be Rwanda; Mayte Carrasco, that of Syria; Monica Bernabe, that of Afghanistan… And that they show what the world really is to the audience.
In 1966, Francois Truffaut adapted for the cinema the novel by Ray Bradbury ‘Fahrenheit 451’. There he teaches us that each person is a book (“I am ‘Madame Bovary’! I am ‘Don Quixote’!…») that he verbally transmits to new generations because the New World Order has banned books and burns them. Each person is the memory of a book, so that it does not disappear. Take note of the TV.