Der derota de las tetas y de la lengua, by Josep Maria Fonalleras

Going to the Eurovision Song Contest (or, as an aperitif, Benidorm’s renovation) is like taking a vacation, looking for a window that has a black hole. It is useful and highly recommended to understand this toneria exhibition as a platform where defending thoughts, ideologies, “ismos & rdquor; miscellaneous and social indications. These events has the capacity to carry everything, to deglut any transgression hasta convert, by the action of the guest players of the spectacle, in a mierdecilla apta for the consumer consumption. The patent of the course of these mounts is escudarse in that no one admits the policy, when it is evident that everything we rode is. Pero da igual. Included in extreme cases, the protest is permitted in the final as one more part of the showas Ocririó hace unos aos con los islandeses de Hatari quuando enseñaron (¡uy sí!) una Palestinian border, a gesture resumed as a volunteer for the Palestinian proposals.

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It’s ramplón, al fin and al cabo, which we like precisely for that, because we allow distances from the whole chabacana with airs of international observers. The designation for the derrota of the joints and the tongue also forms part of the mount.

Reference-www.elperiodico.com

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