Monegal’s criticism: Julián was a taxi and Pantoja stole my taxi driver

Says Joaquín Prat, the presenter of the documentary ‘program’ in which he just starred Mayte Zaldivarthis after Julian Munoz last week, now it was her turn. Indeed. If Muñoz had made some money by telling his version of his ‘accident’ on the platform that Tele 5 served him, Mrs. Zaldivar rightly said, I want a little documentary of that too, and I’m taking mine! Man, within this television commodification of creatures convicted of crimes committed by the Mediaset empire, it is of indisputable logic. These exercises are comfortable for those who perform them. They stand in front of the camera, alone, they launch their version, their story, their story as it is now said, they present themselves as victims, and they are left with a beautiful drawing of themselves. Mrs Zaldívar, for example, She told us that she did not commit any corruptionon. That the conviction for money laundering was unfair because the money that came in from outside the country was pure money. That Jesus Gil was a wonderful guya very good person, a true hero, a noble and prominent mayor … And that everything exploded because her then husband Julián Muñoz was kidnapped by the perfidious Isabel Pantoja and all that happiness they lived in turned into misery. Most of his time in front of the camera was devoted to Pantoja. Twenty years later it is shown that revenge has no expiration date, and that if time has cooled it, even better. He threw very sharp relics against Pantoja. She said that while Julián was still her husband and had the tonadillera of lover and companion of that tall and discreet man named Diego Gómez, it seems that they had already placed some awesome horns. “Julián and Pantoja were the farmers, and Diego Gómez and I were the cattle, that is, the cuckolds.” Mrs Zaldívar also used a very peculiar metaphor to summarize what happened: «My husband was not a free taxi, my husband was a taxi with a sign so big that said ‘Occupied’, and yet she climbed into it». o! Meditable, and squeamish, analysis of his own misfortune. According to Mayte Zaldívar, it’s all Pantoja’s fault because the taxi driver stole from her.

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