Much has been said about Netflix confirming that ‘The Squid Game’, the Korean series that revolutionized the hogares of all the world over the past, has become one second time. The renovation of what is the most visited series in the history of the platform is welcome. Hasta la fecha accumulates more than 1,500 million of hours spenthe who supposes that 150 million people the han reproduced in principle at the end, more from the meeting of the customers subscribed to the celebrity platform. At the moment we do not know where the continuity is. His creator, Hwang Dong-Hyuk, will provide many ideas for the new entry. And he also confirmed that the winner of the games, (alert spoiler!) Seong Gi-Gun, form part of the department. Somehow it is known from this series that during my few conversational conversations, titles and recent denunciations of fathers and professors, angustiados porque los niños habían convertido en pasatiempo del recreo emular ‘El juego del calamar’. And more than we are preparing. “The universe accepts empezar & rdquor ;, dijo Ted Sarandos, maximum responsible for the contents of the platform, to confirm the renovation. The series regenerates inflated asteroids into the inversion gulf, disposing to surpass the quotas of the success rate with the first time. The mercantilization of a series that is still growing criticism of the capitalist system results in ironic frankness.
For Netflix, the sequel to ‘El juego del calamar’ fue inesperado. If there is a large marketing campaign, trust that the algorithms hiciesen the work gives a job. Y así fue. The viewers and commentators of the spectators that the four the first end of the week originated a tsunami that the day the visibility needed to read to this public lessen afín, seducido by the enthusiastic commentsthe familiarity of its iconography (like the red monos), the color aesthetics and the curiosity before the Sad version of an infant game de sobra conocidos. More and more people all over the world will start watching the series, and they will not be late in noticing.
Que ‘El juego del calamar’ se convirtiese tan rapido en un planetary phenomenon is, for many, the most surprising. Corea del Sur’s fictional fiction with an amplio and devotee publicity, sobriety of sobriety and extreme narrative prophecies, but it is not for the faint of heart the most general spectator. This is the hogar of the series has much to be seen. Over the years, Netflix has perfected the art of introducing extraneous content into the audiovisual diet of the more Western public, derribando barreras as the idiom, an artistic team disconnected or the local character of history.
So, the velocity to which the phenomenon has languid has been casi tan veloz as of its exito. Once consumed and digested, this rapid fiction and instant gratification has disappeared all over the radar of our radar, replaced by the new turn signal. ‘El juego del calamar’ is not appearing in the most visible scenes from the interface that we recorded on Netflix and ya nadie habla de la serie. The calamari is hibernating in the depths of the platform, hoping that the cronometer will turn to march. While waiting for the hope, the company will dedicate itself to send the chemicals so that the phenomenon can be converted into a franchise, a universe that allows to order the love of history. The possibilities, if anything, well, are for the benefit of the few: more series, video games, books and imaginary paraphernalia. An expansive evil of that which, in fact, we must escape.
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‘El juego del calamar’ is available create your own Olympics, an event capable of generating spectators and fans seduced by the difficult elec- tions that plant. A competition with which the mayor crueldad resides, precisely, in create create participants that have options: play or give up. And this is a false dilemma because of the irony of the flower for the dead in the ojo. Ours, like spectators, also have creams to have options to follow or give up. But in reality we are tanivives in Netflix as the competitors of the series.
Reference-www.elperiodico.com